Production wise, each instalment is stellar. The sets are great, the costumes are appropriately gorgeous (or grimy and tattered and utterly disgusting, depending on the social standing of the characters) and the acting is out of this world, as should be expected when you have the likes of Jeremy Irons, Ben Whishaw and ultimate Shakespeare fanboy TOM HIDDLESTON in your cast.
But I'm not here to discuss all that, because what really enchanted me to pieces about this series of adaptations is how it wonderfully illustrates the real difference between watching Shakespeare versus reading Shakespeare, made all the more remarkable by the fact that the speeches and dialogue are hardly altered at all in the transition from original text to screen (I know, I totally checked).
You become so accustomed to the modern context of Shakespeare as highbrow academic material, serious and stodgy, that you forget these plays were originally written to entertain the masses. Shakespeare was Elizabethan pop culture, meant to be as widely accessible as possible at a time when other fancy pants playwrights were too busy incorporating entire portions of Latin (which would only make sense to scholars and the educated upper classes) in their own stage productions. Shakespeare was no elitist. Hell, the dude never even went to university (these days of course, it seems like his works mostly interest bearded, pipe-smoking, tweed-jacket wearing academics with Classics degrees). Also, Shakespeare and his actor bros once stole an entire building and arranged for it to be rebuilt on the other side of the Thames. I kind of want to hang out with the guy now.
Watching a properly done Shakespearean adaptation is to truly witness the warmth and wit and passion and humanity (and the often delightfully bawdy and crass humour - by which I mean FART JOKES) that was completely lost on me when all I did was sit and stare at pages and pages of characters talking to each other, barely making time to really register what was going on beneath the surface. Having actors really bring these scenes to life, with tone and expressions and movement and nuance, was a flaming revelation. It was a very gradual but powerful lightbulb moment of HOLY SHIT I THINK I GET THIS. Even my brother, after nearly two solid hours worth of Henry V, turned to me and solemnly intoned "I think I see what the big deal is about this guy now".

Get thee into mine pants, good sir.
edit : Also also also GUESS WHAT? The entirety of The Hollow Crown is up on youtube for your viewing pleasure!
Richard II
Henry IV Part 1
Henry IV Part 2
Henry V
Go get your Shakespeare on, friends.




