Number One : Everything Kristian Matsson released in 2010.
After That : Everything released in 2010 by people not named Kristian Matsson which I actually bothered listening to and grew to like.
Let us then begin. This will be a long one.
BAP's Absolute Total Utterly Favouritest Album (And EP) Of 2010

The Wild Hunt + Sometimes The Blues Is Just A Passing Bird (EP) by The Tallest Man On Earth
The Wild Hunt was released way back in April, which means I had just about 9 months to evaluate and re-evaluate exactly how good it was and how much I still liked it after each listen. After all, the 10 tracks consisted of nothing more than a man, a guitar and some words. There was no reverb, no string section, no handclaps or harmonies, no strange electronic bloops, not even any percussion. How much would there be left to hold anyone's attention after a couple of spins? I had been a MASSIVE fan of Matsson's debut album, which operated on essentially the same formula of boy-and-his-guitar, but I had doubts about him pulling off the same old thing a second time around. And how wrong I was.
So I listened to The Wild Hunt, and I adored it from the get-go. Then I went off to chase after some newer, shinier albums, even dipped my toes in some dubstep (which I could never understand, and I still don't) but I always came back to The Wild Hunt, and every single time I listened to it all the way through, my mad love for it only grew stronger. Quite frankly I think I have every note, chord, word, background-foot-tapping-noise and each intake of breath seared into the memory of my soul. What Kristian Matsson does is ridiculously simple and elegant, and there are dozens of dudes out there doing pretty much the same thing. What sets him apart, to me, is the fact he practically bleeds emotion in every word he sings. Each track is more than a 3-minute folk ballad (or as some would call it, a Bob Dylan Impersonation), it's him spilling his guts out in front of you with no reservations. This album simply cannot be background music ; it's too raw, too jubilant and too heartbreaking. It demands too much of your attention. It's gorgeous and I can never seem to find the words to tell people exactly how beautiful I find his music to be and how much I love the man (and his mother).
And then the wonderful bastard released a digital 5 track EP out of nowhere, without so much as a word of warning, and my entire year was pretty much made. Sometimes The Blues Is Just A Passing Bird is a sort of extension to the LP, but with electric guitar this time, and not so much unrestrained howling. Naturally, I understand that his music is not going to appeal to everyone. There is the matter of his aesthetically unpleasing vocals, for one thing. His voice is really terrifically ugly, and even I was initially put off by it. Also, just a voice and acoustic guitar for 97% of an entire album may just put some folks to sleep. All this, I get. But just admit that this guy is fabulous and truly amazing at what he does, and that he is the greatest songwriter to ever songwrite. Dispute any of this and I will be more than happy to take you out to the parking lot and we can have a real discussion about it.
Now on to the rest of it.
BAP's Other Favourite Albums Of 2010 Made By Lesser Mortals Who Are Not Kristian Matsson
Glasser - Ring
A wonderful 9-track collection of tribal drums, chanting, heavenly vocals, synths, and strange bloopy electronic sounds. I only heard of its existence a couple of weeks ago, and within that time, LA native Cameron Mesilow and her gorgeous sound-making completely took over my auditory space and cemented her spot in this here list. And also that spot in my soul.
Basia Bulat - Heart Of My Own
I've always been a sucker for that voice. Accentuate that voice with strings and banjo and autoharp and bells and harmonies to die for and I am sold. This album also makes for surprisingly good house-cleaning music.
.
Young The Giant - Young The Giant
Orange County hipsters who make the catchiest, freshest pop rock I've heard in a long long time. Also they're all kind of hot, but that is only a secondary observation. The entire album evokes the sensation of drinking the coldest, nicest, bestest, freshest glass of fruit juice ever, which probably means something like, hey you guys, this band is not only fun but also nutritious! All 12 tracks are available for streaming over here, so you know what to do.
A Bunch Of Awesome People (Who Are All Not Kristian Matsson) - Twilight : Eclipse Soundtrack
I won't lie ; I actually really look forward to the release of every new Twilight movie because the soundtrack albums are just so good. And this is quite possibly the best collection so far, featuring original tracks contributed by the likes of The Black Keys, Vampire Weekend, Beck (Beck. BECK. Beck) and my babies, Fanfarlo. Works best if you listen to it while pretending it's just a really fantabulous mixed CD a friend gave you.
Mountain Man - Meet The Harbor
Another late discovery, and another gorgeous one. Gentle folksy acoustic guitar and spectacular three-part female harmonies, and lyrics full of rustic nature imagery. Perfect for sleepless nights or periods of self-imposed solitude.
Jonsi - Go
The Sigur ros frontman's foray into solo careerdom is a fabulous mess of strings and glockenspiel and flutes and ukulele and harps and pure joyfulness. It is essentially the kind of thing Sigur ros would make, but this is less epic, more open, more childlike in its expression. And it just makes you happy everytime you listen to it. And sometimes just the happy is enough.
The National - High Violet
Amen.
Frightened Rabbit - The Winter Of Mixed Drinks
One of the prettiest things I have ever heard in my still-young life, and for once I am not just talking about that sexified Scottish brogue. It is full of handclaps and footstomps and anthemic choruses, and while the subject matter is not always sunshine and smiles (I mean, they're from Scotland, what the hell were you expecting?) this album somehow manages to leave you all warm and fuzzy and swelled up with emotion. The minute I heard the first few chords of the opening track I was already hankering for the release of a third album, which is very greedy of me, but that's just how good these guys are.
Laura Marling - I Speak Because I Can
Laura Marling was one of those people I sort of vaguely knew I should be listening to but never really bothered putting in effort to seek out her music. Then one day I decided to try out one song, just one, and see how I liked it. I started off all "Yeah okay this is nice" and by the time the song ended I was all "Holy shit I need this in my life all the time". Her songwriting is elegant and wise beyond her years, considering that she is only about as old as I am. May this woman live long and folk forever.
Meursault - All Creatures Will Make Merry
One description I read of this band's sound was "electrofolk", or "folktronica" or something, "combining banjo with sampled beats" and my initial reaction was pretty much "What? Eww". But they were from Scotland, and that was enough to persuade me to try them out. I listened to Another, and then I listened to it about 17 more times and cried for an hour. It didn't help that I was feeling majorly homesick at the time. This is a gorgeous, haunting album, and so organic that the synths and beats and bleeps and things don't even sound the tiniest bit out of place among the banjo and ukulele and wonderful echoey vocals.
Episode #26.3: Meursault - "Another" from Off The Beaten Tracks on Vimeo.
Arcade Fire - The Suburbs
This was my most anticipated release of 2010, and the first time I heard it, I sort of hated the whole thing. I was disappointed beyond words. I sat around all deflated, wondering how the Arcade Fire, the Arcade Fire, could have let me down so. It wasn't epic enough, it wasn't huge enough, it wasn't them enough. I was this close to losing faith in Canada, the faith that even Justin Bieber failed to shake. But slowly, and I mean very slowly, track by track, week by crawling week, The Suburbs started to grow on me. It may not be the huge apocalyptic proportions of sound possessed by Arcade Fire past, but it is one hell of a record. I love The Suburbs, I love Arcade Fire, I still love Canada, and everybody's happy.
Pepper Rabbit - Beauregard
Pepper Rabbit are a strange, adorable little duo. The vocals and use of synths and odd costumes evoke a very strong resemblance to MGMT for me, but Pepper Rabbit leans very much towards the folkier side of things ; ukulele and banjo and horns and the kind of harmonies that just tug at your heartstrings till they come off and then re-attach them. Older Brother may just be my favourite song of 2010, even.
Wild Nothing - Gemini
Fuzzy hazy songs about love and summer, with synths and gorgeous guitars and elusive lyrics. It's like someone took all the prettiest things about the 80s and put it in a blender of musical awesomeness. Some of the songs to tend to sound a bit the same and run into each other, but it is all lovely stuff nevertheless.
The Head And The Heart - The Head And The Heart
Warm, lush, introspective poppy Americana with terrific sing along choruses and it all feels rather like getting a really big tight hug from someone who smells nice and reminds you of everyone you love. This record just jumped right up and sat down in a nice comfortable chair in my heart and refused to leave, and I can't say that I mind.
There you have it, all the albums that made me happy in 2010. Hope you guys find something new to discover and fall madly in love with, and do let me know of any good music that I missed out on while I was too busy worshipping Kristian Matsson.













