
I've read some reviews of the gig claiming that the sound system left something to be desired. To which I say WHAT WERE YOU MOTHERBANGERS SMOKING THAT NIGHT because that shit sounded amazing. I may be a n00b as far as sound technology goes, but I thought the band sounded virtually perfect. I didn't catch a single bum note, and every song sounded several hundred times fuller and more majestic than on a studio recording. I was particularly impressed by this, considering the fact that I secretly expected the audio quality to pale a little compared to the albums, especially in the context of an open air venue. And I was so wrong. There's not one single recording of that concert available on the Internet right now that is capable of doing justice to how good these guys sounded.

ORRI. Oh my god, the ORRI. And by Orri, I refer to Sigur rós' beast of a drummer. There is no way one man could have made the amount of noise he made that night, and not a single beat did he drop. Not to mention he was also regularly taking turns on the xylophones and that tiny piano thing (what is that even called?). As captivating as Jónsi and his tasseled sleeve and rat-tail hair were, it was often very very difficult to tear my eyes away from the far right side of the stage, where the drums were. Does Orri have a medal for being an awesome human being yet? Because he's earned one. Because fuck, he is hella good at his job.

The 9000-strong crowd was fairly decent and well-behaved, compared to the last throng of infidels I had to deal with. No one pushed, shoved, prodded or even so much as brushed up against me. No creative swearing was required. The weed smokers and hipsters were out in droves that night ; never had I seen so much fedora and feathers and sundresses in a muddy, sloping field in the middle of monsoon season, but fortunately that wasn't the sort of thing that really rubbed me the wrong way or anything.
There was a brief but intense argument between two factions of concert-goers ; the people who had brought plastic sheets and newspapers and wanted to turn the evening into a sit-on-the-grass-and-chill listening session, and the people who were already standing up and crowding around the stage. That dilemma thankfully sorted itself the moment the band appeared onstage and EVERYONE jumped to their feet anyway. For the record, I would have personally loved a sit-down-and-chill gig, but the standing up was fine in any case.

However, I did take offense at the multitude of cameras and iPads being held over people's heads throughout the gig. Look, I'm glad someone is recording all this for posterity, but I don't need to see a tiny pixellated Jónsi on your tablet screen getting all up in my face when the REAL man is only about 100+ meters away from me. I had to spend a fair amount of time adjusting the position of my head and neck to avoid the assortment of digital rectangles keeping me from getting an optimum view of the stage. It was only when a couple of the camera-toters left early that i could see both Jónsi and Orri within the same line of sight (and got quite excited about that). But SERIOUSLY. Chill out with the technology already.
There seemed to be an unspoken consensus among nearly everyone present that simply standing and listening in hushed, reverent silence was the way to go. There were, as always, the handful of asshats who insisted on carrying on a conversation throughout an entire song (really? really? REALLY? REALLY?), and the idiots who took to screaming or woooo!-ing during the most quiet, haunting bits of a song.
Namely, that legendary section of Svefn-g-englar where Jónsi howls angelically into the cavity of his guitar as all the other instruments go quiet. That is not the time for you to to scream out "FUCK YEAAAHHHH!" like the dudebro you are. Don't, man. Just don't. You're killing the moment. That is not okay. That is a breach of ethics, in my book. To That Guy, whoever you are, I hope you burn your breakfast every day from now until Christmas.

Thankfully, the noise-making asshats were a mild annoyance at worst, and also led to the absolute gem of random concert exchanges, as reported by Sue Fyenn :
some girl : JONSI I LOVE YOU!
some guy from the other side of the crowd: YEAH WELL JONSI DOESN'T LOVE YOU BACK
Win.

A very special mention goes out to the backing musicians ; the horn section, the two replacement dudes for absent keyboardist Kjartan Sveinsson (who decided to sit out this tour for personal reasons, the jerk - I genuinely missed his bearded presence behind the piano) , and the ladies of the string quartet (minus one). They were incredible, and an absolutely crucial part of how good the band the sounded on the night. Plus, I had never heard a string section play live before in my life until Friday night, and dear god, it is fucking sublime.

We got a solid 2 hour, 15 song set. But even then, you can't have the band play ALL the songs you want to hear. I did not get Staralfur or Untitled #4, but I did get a song I never expected them to include in any setlist ever for this tour. So that's something, huh?
The band also played us a new song, Brennisteinn (Brimstone), which is loud, brash, violent, mildly terrifying, extremely bad ass and an overall throwback to the sound of their first album, Von. The background visuals for the track were also chillingly impressive ; raw and feral and pretty intense, all set to that face-melting bassline and a bunch of cold green light in your face. If this is the sound they're gunning for in the new EP (and presumably an album AND MORE TOURING PLEASE to follow), well then BRING IT ON MOTHERFUCKERS.

It's a fact now : Sigur rós is a force of nature. Just before 10.30 pm or so, I glanced up at the sky to see that it had inexplicably turned bright orange. It looked as though it was both daytime and night simultaneously.
AND THEN THE MAGIC RAIN HAPPENED.
It had been thunderstorming in Singapore a few hours before the gig was due to start, but the skies remained clear for the duration of the show itself, or so we thought. A mild drizzle started up as the band returned to play their encore. As Untitled #8 built up to its crescendo, the rain got steadily heavier and heavier and heavier, as if keeping pace with the music. By the time the 15-minute track was drawing in to its closing portion, we were all thoroughly,completely, magically drenched in soul-cleansing rainwater that the band had managed to summon from who fucking knows where. And then, as Jónsi drew out the very last note of the song, the rain stopped.
The rain stopped.
It didn't trickle off or slow down, or fade. It stopped, right on cue with the final note of the very last song of the set. I noticed people who were so busy looking up at the sky, wondering what the hell had just happened, that they missed the band quietly making their exit from the stage after pulling off whatever glorious unholy spell it was that they had cast on the weather for those 15 minutes in time.

Moments later the band returned to the stage with heartfelt smiles plastered on their faces, looking genuinely pleased at us and with themselves. They took their collective bows and stood around applauding back at the crowd for a good few minutes. I caught Jónsi with his hands cupped around his mouth, presumably yelling back an "I LOVE YOU TOO" to someone or other, or simply "WOOOO!"-ing appreciatively back at the audience. And boy, did that warm me up right through my rain-drenched mud-dipped clothes.
Hopefully, now that they know they have fans this devoted in South East Asia, fans this willing to sing along in shamefully broken Icelandic without a trace of self-consciousness, means that there will be that much more of a chance that the guys will add Singapore and/or KL dates to future tours. Because seriously guys, all these years and you never considered looking a little to the left of Taiwan on the map? FOR SHAME.
As Threatened, Here Are Some Final, Complicated Thoughts Regarding The Whole Thing
If all of the above sounds like I have absolutely nothing to complain about, you're right. I do have nothing to complain about. My only enemy was my unrealistically high expectations that kept me from really, truly losing myself in the moment and drowning in all my feels. Not even Sigur rós could live up to the irrationally perfect vision I had in my head of how the night would go. You can't have everything happen exactly the way you want, and I had to learn that in a bit of a painful way, to be honest.
I still felt stabs of jealousy as I read twitter updates from people attending the KL gig just a couple of nights later, wishing ardently that I could be going again, with a clean slate, as some sort of do-over. To get my perfect night with Sigur rós, maybe even my ONLY night with Sigur rós in this lifetime, done just right. Done just the way I dreamed it would happen since I was fifteen years old. The songs I wished they would have played, the emotions I wished I would have felt, the unparallelled, life-affirming fulfillment I imagined I would experience. That I expected to experience, that I thought I was entitled to experience. I had fixed this in my mind to be the one event that would define and overshadow everything else that had ever happened in my life, and would ever happen in the next decade. This is the band that came into my life and completely redefined what music could be and could mean to me. I've cried buckets listening to their records. I've made friends talking about their music. I've forced other friends to fall in love with them just as hard as I had. To say that these guys and their music mean a hell of a lot to me would be a woeful understatement (this is all very angsty and melodramatic, but you have to admit that something about post rock music just DEMANDS angst and melodrama).

In retrospect, it was very very stupid and childish to expect so much - TOO much - out of a concert experience, and I am PISSED at myself for it. Five days later, and it still hurts a wee bit when I listen to songs that were played that night, kicking myself for being so caught up in my fantasies, for not having been PRESENT enough to fully enjoy those moments for how utterly magnificent they truly were. And they were. But I am insanely lucky to have had the opportunity to see them at all. And take nothing away from the band - they were absolutely fucking phenomenal in every humanly possible way, And I can say without a shred of doubt that I adore them even more than I ever did before.

I imagine going back in time, 8 years or so, to 15 year old me. I imagine her - me - puking her guts out with excitement and disbelief as I tell her hey, guess what asshole? We get to see Sigur rós, for real, with our own eyeballs, before we die! It happens! It's real! We won't even have to wait till we're like OLD and have enough money to fly over to Iceland and abduct them right out of retirement and make them play us a private concert as ransom (which is something I actually, seriously planned out with another individual who shall remain unnamed).
I fucking know right?? You'll be there! You'll be there with a bunch of awesome people you love who also all love Sigur rós as much as you do! You'll even travel to another country! You'll be sick and tired and hungry for most of the weekend and you'll get rained and thunderstormed upon so much you'll forget what it feels like to ever be dry, and you'll be cramped into an impossibly tiny room in a budget hotel somewhere in Singapore and you won't be able to sleep.
But you'll be there, and you will see Sigur rós. It won't exactly be everything we ever dreamed it would be, because we dreamed too hard, and we dreamed too much. Because expectation can be a false and cruel thing. And we'll hurt a little, for a little while. But it happens to us. It happens to us, can you even believe that oh my god. And I don't know how we'll feel about this when we're much, much older, but I really hope in time we'll both learn to appreciate that night for what it was instead of for what we wanted it to be. Because we deserve at least that much.
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| you absolutely adorable piece of fuck |
The only other gig I managed to attend earlier this year was a frustrating, painful affair that left me physically unable to listen to the band's music for a good week or so without feeling horrible.When I finally got back home from Singapore, having rested, showered, ate my first meal in ages that wasn't McDonald's, and tried unsuccessfully to stop feeling jealous of the KL gig-goers, I put on some headphones and played a Sigur rós track at random. There was a rush of warm fuzzies in my stomach, almost immediately. And I think I knew I was going to be okay with this.I haven't been able to listen to any other music since Friday, actually. so that's beyond promising.
I spent the rest of the night trying to articulate my complicated post-gig emotions at my mother, and she responded with "What are you going to do now? I mean this is it, you've seen Sigur rós live. What now?".
What now indeed, mom. Well mom, there's the usual stuff like graduating with my degree and getting a job I love doing and making something of myself and being a good person. And then maybe I'll just go see Sigur rós again. And again. And again. And again. Maybe once on every continent. Now that it's happened once, another chance doesn't seem as distant or hopeless as it was even 6 months ago. And next time - whether "next time" is going to be Sigur rós or anyone else I'm just as madly in love with - I'll be wiser and more receptive and less self-centred and more there. More present. And I will let go of what I think I want and what I think should happen and what I think I should be feeling and just focus on the magic that is already there, because it is there, in spades. In avalanches.
Thank you thank you thank you thank you, you glorious beautiful talented wonderful fairy chipmunk musical deity motherfuckers. I'm glad you guys exist in the world, and make the music that you make. And I heart you all so hard it hurts.
credit for all gorgeous photographs from Fort Canning go to ciaomyshiningstar and the lovely auroraborealissandwich (with her gracious permission - many thanks again!)






































